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Mike Bernard (musician)
Mike Bernard ''(né'' Michael Barnet Brown; March 17, 1875 – June 27, 1936) was an American musician who influenced the development of ragtime-era music.〔〔
== Career ==
A musical child prodigy born in New York City, Michael Barnet Brown was the son of decorator and wallpaper dealer Julius S. Brown and his wife Eva Eisenberg. He had one older brother, Harry, born in 1873.〔〔〔 Michael studied at the Berlin Conservatory and once reportedly played before the Kaiser. At age twenty-one, back in New York, he heard Ben Harney (the self-proclaimed "inventor of ragtime") perform, and decided to compete against him. He soon became known as one of the best ragtime performers in the country, billing himself as the "Rag Time King of the World." A white musician with little exposure to the African-American roots of ragtime, he pioneered a style of music that appealed to the public but is often derided by purists as "pseudo-ragtime." He was one of the first to record ragtime piano styles, working for Columbia Records starting in 1912.
While he played in vaudeville pretty much continuously from the late 1890s through the late 1910s, his style mostly fell out of favor by the onset of the jazz age. He was considered for a spot with the Original Dixieland Jazz Band in 1918 after pianist Henry Ragas died in the Spanish influenza outbreak, but the job ended up going to J. Russell Robinson.〔 Mike still managed to work in increasingly smaller venues through the 1920s, last performing at Bill's Gay Nineties in Manhattan just weeks before his death.〔
His style, flashy and fast, influenced the white ragtime composers of Tin Pan Alley but was often looked down upon by the admirers of the "genuine ragtime" that issued from African-American communities. Artists considered part of the "Mike Bernard school" include Pete Wendling, Lee S. Roberts, Max Kortlander, Frank Banta, Victor Arden, Phil Ohman, Zez Confrey, Charley Straight, and Roy Bargy.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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